Adidas is using Uighur forced labor for their products, meaning the kits most likely have been made by slaves as they work on products for the biggest companies : r/Gunners
Luxury fashion brands like Prada and Fendi 'use exploited factory workers to make their products' | Daily Mail Online
Adidas stands by Kanye West, who said slavery 'sounds like a choice'
Why Our Personal Consumerism Feeds Child Slave Labour - HubPages
What Can We Do About Child Labor in Our Products? | HuffPost Contributor
In Turkish sweatshops, Syrian refugee children sew to survive
Adidas, IOM Partner to Promote Responsible Recruitment, Fair Treatment of Migrant Workers in Garment and Footwear Industry | International Organization for Migration
Adidas Child Labour on Twitter: "2012 Olympics are taking advantage of those Adidas sweatshops. Is this really necessary, No advantage in this situation! #PeopleAreEqual #LetsChange https://t.co/PCFNxfio7W https://t.co/KVAl8jvFnr" / Twitter
Pakistan: The struggles of workers making footballs for the FIFA World Cup | libcom.org
Twitter 上的Adidas Child Labour:"Adidas Exploitation! It's time to stop! 775,000 workers mainly women are being used for our own good. Time for change for the better of the world. #Equality #PeoplesLivesMatter
Child labour scandal hits Adidas | UK news | The Guardian
An Army Of Child Slaves To Build Stadiums" Is Just One Of FIFA's Mandates For World Cup Hosts — The Nutmeg News
No to child labour hi-res stock photography and images - Alamy
Sixty big name brands continuing to use sweatshop labour · TheJournal.ie
Child Labour By: Marko Holowatsky. - ppt download
Is it ethical to buy from Nike or Adidas? - LatinAmerican Post
Break silence over child labour: Satyarthi
Child labour scandal hits Adidas | UK news | The Guardian
The list of slave-labor imports you use might surprise you | McClatchy Washington Bureau
H&M reportedly used garment factories that worked teens for 12-hour shifts
How do your favourite clothes brands rank on worker welfare? - ABC News
Why Students Aren't Fighting Forever 21 | The New Yorker